The Merchant of Venice - Acts I and II

Shakespe atomic number 18 sets up the genre and thematic concerns in a very upstanding manner in the starting line deuce acts of the merchant of Venice, prospect the foundations of the licentiousness yet stock- lock away leaving a view up for explanation. From the first dickens acts, there is still what incessantly relative ambiguity ring genre. A lot of bear witness supports the commonly accepted thinker that the play is a Shakespearian comedy, however there are definitely numerous tragic aspects within the first two acts which would obviously make Merchant of Venice a tragedy. The general Elizabethan definition of a Shakespearean comedy is a play that ends happily, usually involving a marriage. For agnize reasons, from Acts I and II we still dont hold up what the ending will be! even, there are some(prenominal) indications of an eventual marriage, and Shakespeare sets up a marriage between Portia and Bassanio. He does this in the second perspective of the play in a conversation between Nerissa and Portia at Belmont. They were discussing possible suitors for Portia when Nerissa said: a Venetian, a scholar and a soldier, that came hither in companion of the Marquis of Montferrat? Portia then replied: Yes, yes, it was Bassanio! as I think so he was called. In response Nerissa said: True, madam he of all the men that ever my foolish eyes looked upon was the scoop up deserving a elegant lady. Previous to these comments, several opposite gives had been mentioned including that of The Prince of Morocco. As this name was suggested, it was soon dismissed by Portia as she said, If he befuddle the condition of a nonsuch and the complexion of a devil, I had rather he should shrive me than wive me. In bare(a) terms, even if Morocco had the heart of a saint, he would still not have a sylphlike chance of marriage if she had the choice. However as I commented on earlier, there are many references which are typical of a tragedy. A great ensample of this is contained in Act I Scene III in a debate between Bassanio, Antonio an...