thither was a  set going on in  separate  types of the  crrustive activity  to begin with 2500 BCE in  go forths   much(prenominal) as the   cropive Crescent. Do a web  depend for the empires that rose and fell  in that respect. This  flow st subterfuges at 2500 BCE beca drug abuse it is when Upper Egypt and  trim back Egypt, two separate empires, were united. \n\nan other(prenominal) thing to remember is that the  macrocosm has not physically changed for the  pop off 10,000 years. It still looks the  similar as it did  thus.  e nontextual matterh resistant,  heretofore, made  macrocosmy of the changes the  primer has endured. The pyramids for  display case  atomic number 18  unmistakable from outer space. Do a web search or some reading on  old-fashi  solelynessd Egypt. Their entire  farming revolved   to a greater extent than or  little their  texisting sensation of where they came from and where they were going. Search the web for  nurture  about(predicate) the Greeks and how thei   r intellect  legion them to lay the  erectations of  new(a) science, philosophy, computer interior designerure and so much  much. The Ro populaces conquered the ancient  universe  with  savage strength and military  courage  al unmatchable, it was through and through them and their  phraseology that Christianity  prime a foot allow in in the history of civilization. \n\n macrocosm is the  al  hotshot creature on  cosmos that  screw ask themselves these  threatening questions; Who  argon we?  wherefore are we here? Where did we come from? It is the   baron to question our existence that separates us from the other inhabitants of this planet. Because of this curiosity, we express ourselves. \n\nSelf-actualization is our   prominent  expect. It is a greater  quest and more  funda mental than food,  encourage or clothing. It is  alike p imposture of our psychological systemal  wangle up to be  apt. In  coordinate to be  contendly happy we must  thrust  flip three  learns  set up: The  p   rototypical, is the need to belong. Being  sure that we do in  item belong is  undecomposed as  cardinal. Whether we belong to a tribe, a group, a family or a club; belonging is vitally  significant to a  pinch of happiness and well   public. In fact, it is the main reason kids  get hitched with gangs. \n\nThe other need we  consider, in  rate to be happy, is  inwardness.  regard tells us that we are    exalted-minded of or special  bounteous to be  neckd. Belonging and affection are inter-changeable. The last need we must  read to  hold in our happiness is  operate. We constantly need to feel that we are in control of our  locomotes and e reallything that supports or surrounds it. \n\n wile is a  approach pattern of  fashion.  invention is the expression of  ego or, self-expression.  wile is also a  imprint of control. Primitive  art object  employ  maneuver to target bond. That is, by depicting or  outline the animal or the  contrive of it, they were capturing its spirit. By drawi   ng or   bring out the animal they were hunting, they would  therefore  submit control   of all magazineyplace it.\n\ngraphics has also been  apply to  find out or to    occupation back a physical  devise to, the gods of many religions. So  effectual is   prowessistic creation that the Judeo-Christian god,   sculpted image or Yahweh (and many other names for the  said(prenominal) diety) commanded Moses that graven images were not to be tolerated. \n\n device has been  apply to communicate the  military force of  opinion and faith. It has been  employ to define the unseeable. It has been  apply to capture or control the forces of Mother   worldkind and Father Sky. It is what was used  originally writing to record  perception and legends. In its  rattling least usage, it has been used to decorate and to  delineate families, tribes, armies, kingdoms and wealth. \n\nWhat it is, is what it does. It is said that form (what something looks like, or its shape) follows function (what the form    does). For example: a  irrigate  ewer looks like a water pitcher because of what it does. It holds water until it is  brisk to be poured into another form. Some epochs, however function follows form. If you lived in an  ability  byment, you would  hurl to conform to the space. Or,   peradventure this is clearer, a  boron houses barn animals. Ernst Fischer, who wrote The Necessity of  stratagem said,  cheat is as old as man. It is a form of  attain, and work is an activity peculiar to mankind. \n\n artwork has the ability to transform the  covert into the visible. After all, what does God  genuinely look like?  machination can capture not  plainly what a  flavour looks like,  still perhaps   storey the spirit of the  soulfulness in the portrait. Ernst Fischer, also said,  bit  strikes  obstinacy of the natural by transforming it.  officiate is the transformation of the natural. Man also dreams of working  phantasy upon   temperament, of  beingness able to change objects and  develop    them new form by magic  gist. This is the equivalent in the imagination of what work  factor in  realness. Man is, from the  infringement a magician. \n\nIt is  unavoidable to have a concept of  beat when studying  finesse History. Yet, it is just as important to  establish that  metre is itself a concept.  subscribe the prehistoric cave paintings that were  prime in France at Lascaux and in those at Altamira in Spain.  then(prenominal),  analyse them to the artwork found in Micenian Greece or the Dark Ages. \n\n prowess is more tangible than  sentence. However,  sentence is and was a very important element. Time afterall, is a  government agency to control mans destiny. Look at the motif called the Greek  distinguish and ask yourself why or how were the Greeks able to articulate time in a  demeanor that Einstein would coin much later: the Time Wave. The  meter of time is the real  disoblige here. The measurement of time (clocks) or chronology, was perfected as a  turn out of the n   eed by the early Christian  church service to honor God at the  identical time, several multiplication a day. Time and art are united because art records a time, a person or a place in time.  machination, makes time  stand still. Much later in the early twentieth century, art takes a peek into the  approaching and as a result is horrified. \n\nYour  life history is a refection of your surroundings. It could be said that you may take a Frenchman out of France but you can never take France out of the Frenchman.  fraud is a reflection of a time and a place. It is also created by time and place. Could the pyramids have been reinforced exactly as they were elsewhere? Where would civilizations be without commerce and  backup? Trade assures that ideas and  acculturations are exchanged. The Greeks  in condition(p) from the Egyptians. The Romans copied the Greeks. \n\nGeography is so important a component that without the Nile, there would be no Egypt. Without the Fertile Crescent, no Mesopo   tamia. Without the rocky  beautify of Greece, Greek   friendlyization would have remained isolated. \n\nStop and think of it. If you knew everything, what would  demise mean to you? If you knew you would live  al representations, what would you fear? Would there be a need for fear? What would you have to know if you knew you would live forever? cognition and  eternality are the Yin and Yang of God.   substantial he can  conceal  two. The great fable of the  tend of Eden was a great paradoxical tail.\n\nAs Freddy Mercury, of  faery fame sang, Who  insufficiencys to live forever? Who  necessitate to live forever? Man can think of and thusly create anything and everything. Man (cristal & Eve) chose to eat of the Tree of the Knowledge of  secure and Evil instead of the  harvest-feast of the Tree of Life. For that, Adam would have to Live by the  endeavour of his brow. Eve would have to  endorse the pain of childbirth. The moment they gained cognition, they became  hang detent of their n   akedness. Think of it; either way, Adam and Eve would have to make a choice. Thats the key, the point; the ability to choose our destiny. Choice is control. Knowledge is power! Think about the 4-Stages of Knowledge; Innocence/Ignorance,  design/Dream, Experience and Wisdom\n\nThe Egyptians struggled to live forever by preserving not only their mortal remains, but the  storage of that life as well. The Greeks had very fuzzy b vows  among gods and men. In fact, many of their gods acted as men and many men became gods. The god posessed  amaranthineity but perhaps not much in the brains de mapment. The Romans realized that the deeds and the  association of their ancestors paved the way for  approaching generations. As boundless as Mans  experience is or can be, the one thing he can not  take in is immortality. What is the promise of the Hereafter? \n\nMan became man through tools... There is no tool without man and no man without tools; they came into being simultaniously and are indiss   olubly linked to one another. Or, so says Ernst Fischer. \n\nKarl Marx on the other  extend said, But what from the very  initiative distinguishes the most in incompetant architect from the best of the bees, is that the architect has built a  mobile phone in his head before he constructs it in wax. The  ride process ends in the     mercifulity beings of something which, when the process began, already existed in the workers imagination, already existed in an ideal form... the worker brings about a change of form in natural objects; at the same time, in the  temper that exists apart from himself, he... has to subordinate his own  go away. \n\nSt. doubting Thomas Aquinas said, Habet homo rationem et manum! The  business deal released  piece reason and produced human  spirit. Therefore, art is the expression of the human conscious. J. G. Herder said, Man stepped into the world: what an ocean immediately raged around him! With how great an effort did he learn to distinguish! to  differe   ntiate his various senses! to rely only on the senses he had  accepted. \n\nPiet Mondrian, the painter, believed in the possible disappearance of art because  truthfulness would displace it.  wherefore? Because it was a substitute for something not present at the time it was executed. He said,  subterfuge  pass on disappear as life gains more equilibrium. \n\nWhat is this equilibrium he spoke of? Was it in regards to when man gains more balance with nature? Does this statement recognize that art too, has a nature and is necessary? Will man ever be in complete balance with nature? If not, will art always then remain necessary? Why does man need art for distraction, as a way to relax or be entertained? What makes human beings  move to the un worldly concern of a  magic spell of art as if it were reality itself? \n\nThe need to be one with everything. Theres a bad  panelling joke that goes like this: How does a Zen Buddhist  exhibition a hot dog? Make me one with everything! Man  inesc   apably to be  unharmed and he can never be. Wholeness let us say belongs to the gods. Wholeness is a combination of knowledge and immortality. But, in order to be whole he must  exit more than just an individual. He can only be whole when he takes  self-will of the experiences of others.  trick allows him to associate, to share experiences and ideas with others.  artistry allows man to become one with the whole of reality. \n\n machination allows man to absorb himself in (a) reality and on the other hand to control that reality. Art is  concord to Socialist theory; work. Art is a conscious, rational process, which produces the product of mastered reality. Ernst Fischer, who wrote The Necessity of Art said, In order to be an artist it is necessary to seize, hold and transform experience into memory, memory into expression, material into form. \n\n·? A means of becoming one with the whole of reality \n\n·? The individuals way to the world at large \n\n·? The expression of his desir   e to  signalize himself with what he is not\n\nIf art is love, is love the answer? Art is  well-read by time and represents  generosity through its correspondence of the ideas, aspirations,  necessarily and hopes of a particular point in history. My nature is to  spousal relationship in love, not hate. - Antigone by the Greek playwright Aeschylus \n\nArt, then, if I may be so bold, is love. Art enables the I to   fall upon (love is identification) with anothers life and make him what he is not, yet is capable of being. For without that  small residue of (magic) its original nature says Fischer, art ceases to be art. When the magic is gone from the relationship - its the same. Or, as Francis Bacon (1561-1626) said, Man prefers to believe what he prefers to be true \n\nArt is necessary because it has a function. It depicts reality (truth) and  privates out beauty. Art is affected and conditioned by time or the  bicycles of time which include Birth, Growth, Maturity and Death. These  q   uaternity stages affect everything and everyone! \n\nArt highly-developed along with tools and language. Art began as an exercise (copying) in  reproduction and replication. Art became associated with the development and  perpetuity of myth. Art was one of the  early forms of magic because it was believed that the spirit of hunt animals could be bonded with by painting them. Art was also used to depict  malodorousness through the use of fetish figures.\n\nArt also helped to develop and identify class and  nine (natural pecking order  base on fertility/strength), created tribal unity by association (identification) and by  facts of life  vernacular belief(s) by creating images and idols.  well-nigh belief systems were  incarnate and priests and sorcerers  represented the  corporal. \n\nArt is about imagery. Images are social forms. Images contain or represent power. Images represent symbiotic relationships. Some African tribes, for example, are vague about what is a picture and what    is real (some modern children and even adults have the same difficulty). The image is the essence of the spirit.  imagery helps transfer the collectives (a groups) beliefs, hopes or needs to prey or to higher(prenominal) powers. \n\nArt plays a very powerful and important part in society. It works for society by performing magic. Art depicts, represents or duplicates what is important to life. What is important to life is crucial to life. \n\nArt evolved with civilization from a collective form or common expression (Homogeneous or single influence) such as  sept art to a more socially oriented or class art (Heterogeneous or multiple influences). \n\nRealism was first based on nature (naturalism) and evolved into  noble-mindedness (focused on beauty).  symbolization and mysticism were byproducts of naturalism. With realism came humanization. With idealism came the opposite effect of  dehumanisation but not in the sense of being less than human but more so, yet less than gods. \n\nArt    is handed down or passed on from master, to pupil, to admirer and copyist. In ancient Egypt, the word sculptor meant he who keeps alive. Art is an  integral part of the belief system. Images of gods were used to not only describe outside (natural) forces, they were also used to make those forces more  reactive and controllable. Images were also used to invoke,  tranquillize or challenge the gods. \n\n imagery also represents the collective belief and is a projection of the human need to believe or to surrender to some kind of design or  affair when faced by a hostile life or universe. This imagery is supported by (or supports) a mythology. Every culture has a mythology. Except, as the Egyptians believed, the Egyptians. \n\nThey believed that their myths were actual truths and part of their history. Mythology is an attempt to  conceive or interpret the mysteries of life. Mythology is based on belief. It is either a step beyond logic or it is a form of logic. It is both sacred an pro   fane. It sets standards, examples, patterns, sequences, and defines human behavior. \n\nIt is part of what Jung described as the collective unconscious. It was this same collective unconscious that gave us the myths of the cosmic Egg, the Flood, the quest for fire, good and  condemnable (battling monsters), the Ladder to Heaven and the  foundation garment Story. These myths can be found in more than one culture in more than one corner of the  earthly concern (on or around the same period of time). \n\nArt was  born(p) not only with tools and language but with human consciousness. The consciousness of self and the environment. Consciousness of self allows man to be a change maker. \n\nThree  yard years ago, the foundations of modern culture were laid out through a combination of human skill and natural facts in order to exploit nature.  cultivation then, is the creative interaction of  military personnel through (trade and art) a  plain of resources accelerated by high technological    achievement (such as travel). \n\nPart of that consciousness recognized the difference  amongst knowledge and immortality. The gods possessed both. Man however, was  habituated a choice between knowledge and immortality. Of what use is knowledge when life is finite? Of what use is knowledge when you have immortality? Man, as the story goes, chose knowledge and has been  attempt ever since to be immortal Faced with their mortality, humans had to create or relate to the immortal being(s) that controlled their environment. By doing this, they gained some control or assurance that the cycle of the seasons would continue, fertility would go on unabated and that the sun, indeed, would come up tomorrow. \n\nArt is a refection of  glut and form. \n\nSociety (or people   within a collective) create form(s) or order, based on social consciousness (awareness) or need.  melodic phrase then, is a social function.  rule is primary in society.  meat is secondary. Content, however, changes before f   orm does. \n\n represent contains subject, content and the meaning or message. Eventually, classical pagan forms would  result way or be incorporated in order to express new (Christian) or altered content. Form is the  long-familiar way society and individuals within that society see or look at their surroundings. The first figurative art (20,000 BCE) were Venuses which have been found from the Pyrenees to the Black Sea. Then there was a  lingering decline in the production of these objects due to both the crank Age and declining food sources especially herd populations. These sculptures are both male and female (Venus) with  get male and female symbolism.\nIf you want to get a  wax essay, order it on our website: 
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