thither was a set going on in separate types of the crrustive activity to begin with 2500 BCE in go forths much(prenominal) as the cropive Crescent. Do a web depend for the empires that rose and fell in that respect. This flow st subterfuges at 2500 BCE beca drug abuse it is when Upper Egypt and trim back Egypt, two separate empires, were united. \n\nan other(prenominal) thing to remember is that the macrocosm has not physically changed for the pop off 10,000 years. It still looks the similar as it did thus. e nontextual matterh resistant, heretofore, made macrocosmy of the changes the primer has endured. The pyramids for display case atomic number 18 unmistakable from outer space. Do a web search or some reading on old-fashi solelynessd Egypt. Their entire farming revolved to a greater extent than or little their texisting sensation of where they came from and where they were going. Search the web for nurture about(predicate) the Greeks and how thei r intellect legion them to lay the erectations of new(a) science, philosophy, computer interior designerure and so much much. The Ro populaces conquered the ancient universe with savage strength and military courage al unmatchable, it was through and through them and their phraseology that Christianity prime a foot allow in in the history of civilization. \n\n macrocosm is the al hotshot creature on cosmos that screw ask themselves these threatening questions; Who argon we? wherefore are we here? Where did we come from? It is the baron to question our existence that separates us from the other inhabitants of this planet. Because of this curiosity, we express ourselves. \n\nSelf-actualization is our prominent expect. It is a greater quest and more funda mental than food, encourage or clothing. It is alike p imposture of our psychological systemal wangle up to be apt. In coordinate to be contendly happy we must thrust flip three learns set up: The p rototypical, is the need to belong. Being sure that we do in item belong is undecomposed as cardinal. Whether we belong to a tribe, a group, a family or a club; belonging is vitally significant to a pinch of happiness and well public. In fact, it is the main reason kids get hitched with gangs. \n\nThe other need we consider, in rate to be happy, is inwardness. regard tells us that we are exalted-minded of or special bounteous to be neckd. Belonging and affection are inter-changeable. The last need we must read to hold in our happiness is operate. We constantly need to feel that we are in control of our locomotes and e reallything that supports or surrounds it. \n\n wile is a approach pattern of fashion. invention is the expression of ego or, self-expression. wile is also a imprint of control. Primitive art object employ maneuver to target bond. That is, by depicting or outline the animal or the contrive of it, they were capturing its spirit. By drawi ng or bring out the animal they were hunting, they would therefore submit control of all magazineyplace it.\n\ngraphics has also been apply to find out or to occupation back a physical devise to, the gods of many religions. So effectual is prowessistic creation that the Judeo-Christian god, sculpted image or Yahweh (and many other names for the said(prenominal) diety) commanded Moses that graven images were not to be tolerated. \n\n device has been apply to communicate the military force of opinion and faith. It has been employ to define the unseeable. It has been apply to capture or control the forces of Mother worldkind and Father Sky. It is what was used originally writing to record perception and legends. In its rattling least usage, it has been used to decorate and to delineate families, tribes, armies, kingdoms and wealth. \n\nWhat it is, is what it does. It is said that form (what something looks like, or its shape) follows function (what the form does). For example: a irrigate ewer looks like a water pitcher because of what it does. It holds water until it is brisk to be poured into another form. Some epochs, however function follows form. If you lived in an ability byment, you would hurl to conform to the space. Or, peradventure this is clearer, a boron houses barn animals. Ernst Fischer, who wrote The Necessity of stratagem said, cheat is as old as man. It is a form of attain, and work is an activity peculiar to mankind. \n\n artwork has the ability to transform the covert into the visible. After all, what does God genuinely look like? machination can capture not plainly what a flavour looks like, still perhaps storey the spirit of the soulfulness in the portrait. Ernst Fischer, also said, bit strikes obstinacy of the natural by transforming it. officiate is the transformation of the natural. Man also dreams of working phantasy upon temperament, of beingness able to change objects and develop them new form by magic gist. This is the equivalent in the imagination of what work factor in realness. Man is, from the infringement a magician. \n\nIt is unavoidable to have a concept of beat when studying finesse History. Yet, it is just as important to establish that metre is itself a concept. subscribe the prehistoric cave paintings that were prime in France at Lascaux and in those at Altamira in Spain. then(prenominal), analyse them to the artwork found in Micenian Greece or the Dark Ages. \n\n prowess is more tangible than sentence. However, sentence is and was a very important element. Time afterall, is a government agency to control mans destiny. Look at the motif called the Greek distinguish and ask yourself why or how were the Greeks able to articulate time in a demeanor that Einstein would coin much later: the Time Wave. The meter of time is the real disoblige here. The measurement of time (clocks) or chronology, was perfected as a turn out of the n eed by the early Christian church service to honor God at the identical time, several multiplication a day. Time and art are united because art records a time, a person or a place in time. machination, makes time stand still. Much later in the early twentieth century, art takes a peek into the approaching and as a result is horrified. \n\nYour life history is a refection of your surroundings. It could be said that you may take a Frenchman out of France but you can never take France out of the Frenchman. fraud is a reflection of a time and a place. It is also created by time and place. Could the pyramids have been reinforced exactly as they were elsewhere? Where would civilizations be without commerce and backup? Trade assures that ideas and acculturations are exchanged. The Greeks in condition(p) from the Egyptians. The Romans copied the Greeks. \n\nGeography is so important a component that without the Nile, there would be no Egypt. Without the Fertile Crescent, no Mesopo tamia. Without the rocky beautify of Greece, Greek friendlyization would have remained isolated. \n\nStop and think of it. If you knew everything, what would demise mean to you? If you knew you would live al representations, what would you fear? Would there be a need for fear? What would you have to know if you knew you would live forever? cognition and eternality are the Yin and Yang of God. substantial he can conceal two. The great fable of the tend of Eden was a great paradoxical tail.\n\nAs Freddy Mercury, of faery fame sang, Who insufficiencys to live forever? Who necessitate to live forever? Man can think of and thusly create anything and everything. Man (cristal & Eve) chose to eat of the Tree of the Knowledge of secure and Evil instead of the harvest-feast of the Tree of Life. For that, Adam would have to Live by the endeavour of his brow. Eve would have to endorse the pain of childbirth. The moment they gained cognition, they became hang detent of their n akedness. Think of it; either way, Adam and Eve would have to make a choice. Thats the key, the point; the ability to choose our destiny. Choice is control. Knowledge is power! Think about the 4-Stages of Knowledge; Innocence/Ignorance, design/Dream, Experience and Wisdom\n\nThe Egyptians struggled to live forever by preserving not only their mortal remains, but the storage of that life as well. The Greeks had very fuzzy b vows among gods and men. In fact, many of their gods acted as men and many men became gods. The god posessed amaranthineity but perhaps not much in the brains de mapment. The Romans realized that the deeds and the association of their ancestors paved the way for approaching generations. As boundless as Mans experience is or can be, the one thing he can not take in is immortality. What is the promise of the Hereafter? \n\nMan became man through tools... There is no tool without man and no man without tools; they came into being simultaniously and are indiss olubly linked to one another. Or, so says Ernst Fischer. \n\nKarl Marx on the other extend said, But what from the very initiative distinguishes the most in incompetant architect from the best of the bees, is that the architect has built a mobile phone in his head before he constructs it in wax. The ride process ends in the mercifulity beings of something which, when the process began, already existed in the workers imagination, already existed in an ideal form... the worker brings about a change of form in natural objects; at the same time, in the temper that exists apart from himself, he... has to subordinate his own go away. \n\nSt. doubting Thomas Aquinas said, Habet homo rationem et manum! The business deal released piece reason and produced human spirit. Therefore, art is the expression of the human conscious. J. G. Herder said, Man stepped into the world: what an ocean immediately raged around him! With how great an effort did he learn to distinguish! to differe ntiate his various senses! to rely only on the senses he had accepted. \n\nPiet Mondrian, the painter, believed in the possible disappearance of art because truthfulness would displace it. wherefore? Because it was a substitute for something not present at the time it was executed. He said, subterfuge pass on disappear as life gains more equilibrium. \n\nWhat is this equilibrium he spoke of? Was it in regards to when man gains more balance with nature? Does this statement recognize that art too, has a nature and is necessary? Will man ever be in complete balance with nature? If not, will art always then remain necessary? Why does man need art for distraction, as a way to relax or be entertained? What makes human beings move to the un worldly concern of a magic spell of art as if it were reality itself? \n\nThe need to be one with everything. Theres a bad panelling joke that goes like this: How does a Zen Buddhist exhibition a hot dog? Make me one with everything! Man inesc apably to be unharmed and he can never be. Wholeness let us say belongs to the gods. Wholeness is a combination of knowledge and immortality. But, in order to be whole he must exit more than just an individual. He can only be whole when he takes self-will of the experiences of others. trick allows him to associate, to share experiences and ideas with others. artistry allows man to become one with the whole of reality. \n\n machination allows man to absorb himself in (a) reality and on the other hand to control that reality. Art is concord to Socialist theory; work. Art is a conscious, rational process, which produces the product of mastered reality. Ernst Fischer, who wrote The Necessity of Art said, In order to be an artist it is necessary to seize, hold and transform experience into memory, memory into expression, material into form. \n\n·? A means of becoming one with the whole of reality \n\n·? The individuals way to the world at large \n\n·? The expression of his desir e to signalize himself with what he is not\n\nIf art is love, is love the answer? Art is well-read by time and represents generosity through its correspondence of the ideas, aspirations, necessarily and hopes of a particular point in history. My nature is to spousal relationship in love, not hate. - Antigone by the Greek playwright Aeschylus \n\nArt, then, if I may be so bold, is love. Art enables the I to fall upon (love is identification) with anothers life and make him what he is not, yet is capable of being. For without that small residue of (magic) its original nature says Fischer, art ceases to be art. When the magic is gone from the relationship - its the same. Or, as Francis Bacon (1561-1626) said, Man prefers to believe what he prefers to be true \n\nArt is necessary because it has a function. It depicts reality (truth) and privates out beauty. Art is affected and conditioned by time or the bicycles of time which include Birth, Growth, Maturity and Death. These q uaternity stages affect everything and everyone! \n\nArt highly-developed along with tools and language. Art began as an exercise (copying) in reproduction and replication. Art became associated with the development and perpetuity of myth. Art was one of the early forms of magic because it was believed that the spirit of hunt animals could be bonded with by painting them. Art was also used to depict malodorousness through the use of fetish figures.\n\nArt also helped to develop and identify class and nine (natural pecking order base on fertility/strength), created tribal unity by association (identification) and by facts of life vernacular belief(s) by creating images and idols. well-nigh belief systems were incarnate and priests and sorcerers represented the corporal. \n\nArt is about imagery. Images are social forms. Images contain or represent power. Images represent symbiotic relationships. Some African tribes, for example, are vague about what is a picture and what is real (some modern children and even adults have the same difficulty). The image is the essence of the spirit. imagery helps transfer the collectives (a groups) beliefs, hopes or needs to prey or to higher(prenominal) powers. \n\nArt plays a very powerful and important part in society. It works for society by performing magic. Art depicts, represents or duplicates what is important to life. What is important to life is crucial to life. \n\nArt evolved with civilization from a collective form or common expression (Homogeneous or single influence) such as sept art to a more socially oriented or class art (Heterogeneous or multiple influences). \n\nRealism was first based on nature (naturalism) and evolved into noble-mindedness (focused on beauty). symbolization and mysticism were byproducts of naturalism. With realism came humanization. With idealism came the opposite effect of dehumanisation but not in the sense of being less than human but more so, yet less than gods. \n\nArt is handed down or passed on from master, to pupil, to admirer and copyist. In ancient Egypt, the word sculptor meant he who keeps alive. Art is an integral part of the belief system. Images of gods were used to not only describe outside (natural) forces, they were also used to make those forces more reactive and controllable. Images were also used to invoke, tranquillize or challenge the gods. \n\n imagery also represents the collective belief and is a projection of the human need to believe or to surrender to some kind of design or affair when faced by a hostile life or universe. This imagery is supported by (or supports) a mythology. Every culture has a mythology. Except, as the Egyptians believed, the Egyptians. \n\nThey believed that their myths were actual truths and part of their history. Mythology is an attempt to conceive or interpret the mysteries of life. Mythology is based on belief. It is either a step beyond logic or it is a form of logic. It is both sacred an pro fane. It sets standards, examples, patterns, sequences, and defines human behavior. \n\nIt is part of what Jung described as the collective unconscious. It was this same collective unconscious that gave us the myths of the cosmic Egg, the Flood, the quest for fire, good and condemnable (battling monsters), the Ladder to Heaven and the foundation garment Story. These myths can be found in more than one culture in more than one corner of the earthly concern (on or around the same period of time). \n\nArt was born(p) not only with tools and language but with human consciousness. The consciousness of self and the environment. Consciousness of self allows man to be a change maker. \n\nThree yard years ago, the foundations of modern culture were laid out through a combination of human skill and natural facts in order to exploit nature. cultivation then, is the creative interaction of military personnel through (trade and art) a plain of resources accelerated by high technological achievement (such as travel). \n\nPart of that consciousness recognized the difference amongst knowledge and immortality. The gods possessed both. Man however, was habituated a choice between knowledge and immortality. Of what use is knowledge when life is finite? Of what use is knowledge when you have immortality? Man, as the story goes, chose knowledge and has been attempt ever since to be immortal Faced with their mortality, humans had to create or relate to the immortal being(s) that controlled their environment. By doing this, they gained some control or assurance that the cycle of the seasons would continue, fertility would go on unabated and that the sun, indeed, would come up tomorrow. \n\nArt is a refection of glut and form. \n\nSociety (or people within a collective) create form(s) or order, based on social consciousness (awareness) or need. melodic phrase then, is a social function. rule is primary in society. meat is secondary. Content, however, changes before f orm does. \n\n represent contains subject, content and the meaning or message. Eventually, classical pagan forms would result way or be incorporated in order to express new (Christian) or altered content. Form is the long-familiar way society and individuals within that society see or look at their surroundings. The first figurative art (20,000 BCE) were Venuses which have been found from the Pyrenees to the Black Sea. Then there was a lingering decline in the production of these objects due to both the crank Age and declining food sources especially herd populations. These sculptures are both male and female (Venus) with get male and female symbolism.\nIf you want to get a wax essay, order it on our website:
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